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I once heard that con artists can victimize almost anyone—even
another con artist! That fact led me to
ruminate about the story of Benita Alexander.
Benita Alexander used to be a television producer and investigative
reporter for one of the big American con artist corporations: NBC. Example: they gave a lateral arabesque-type “promotion” to Brian Williams to get him out
of the mainstream eye. Even the face of CBS' disgraced Dan Rather is still seen on certain oblivious channels, but such good fortune does
not appear in the works for Benita.
The mainstream media in recent years have abandoned all pretenses of being fair and balanced; they
have jumped onto the bandwagon of the liberal/progressive fantasy joy ride that
frequently betrays them for what they are: propagandists for the national left-wing
political movement. Hollywood is part of
it. They are unified in their effort to vilify President Trump, and they
fanatically believe they can destroy him for trouncing their Pygmalion airhead,
Hillary Clinton, in the 2016 general election.
A couple of years ago Benita Alexander believed that she was
going to wed the most famous doctor in the world, that her wedding would be presided
over by Pope Francis, that every major world foreign leader would be at her
wedding. However, she argued with her fiance about having Vladimir Putin at her wedding; she was shrewd
enough to know that Putin would be anathema to her fantasy view of the world--and that of her professional associates--why the Pope might be offended. However, her husband insisted
that Putin was so powerful that it would only be proper to include him among
the world leaders who would attend their wedding.
When the bubble finally
burst, NBC managers tried to distance themselves as far as possible from her.
Benita Alexander had fallen from the highest lofts of
Democratic-type fantasy to the level of doormat in the field of matching wits
with real con artists. NBC will not tell her story because she has become the
epitome of what normal people hate about the media; those within mostly enjoy
the role of the dupers, not the dupes.
Instead of her story being highlighted on NBC, her story is
now being told on the Investigative Discovery Channel, and if blatant scandal follows
its usual course, we can soon expect a book that she hopes to make
her rich and famous and fill in the void left by the international con artist,
Paolo Macchiarini; Macchiarini, whom she once thought to be the knight in
shining armor that would lift her to the pinnacle of world fame.
It does make a good scam-type of crime story for ID, but it
does nothing to improve the image of Benita Alexander, a career duper for NBC who
got duped in the most outrageous fashion. As much as NBC would like to forget Benita
Alexander, she will always be associated in name and by the schematic flaws of
the profession.
Like most
megalomaniacs in the fantasy world of modern, mainstream media (which is now synonymous with the Democrat Party), Benita
Alexander believes that hope springs eternal for fame and fortune. She decided
to revert to playing the poor, pitiful victim in the ID production of her story. There she is playing the role of
the underdog in hopes that this new cocoon of a scheme will spawn an eventual
Cinderella who will someday rise up from her eponymous ashes and marry the Prince--at least figuratively; all that if the book becomes a best seller. For me, it would be just another "best seller" puffed by the NYT that I will have to pass up because I see scam stories in the news every day. What makes this story worthy of this essay is because it falls into the category of poetic justice.
